Poster design is a really fun, inexpensive and unique way to explore your creative side. From the 1,000′s of fonts, variety of poster sizes, and layouts, sometimes, it’s difficult to know where to start!

Today we are interviewing Jessica Sprague, design guru and owner of JessicaSprague.com. In February, Jessica is heading off a four week Poster Design course. She is also giving away not one, but TWO seats to this really awesome class! I couldn’t be more excited about the class after taking Jessica’s Subway Art class. I’m a busy mom, so I don’t have a whole lot of time to join in a live class, which is why I love Jessica’s classes- they are self-paced and available forever!

Follow Jessica: Twitter & Facebook

Can you tell us about yourself, how long have you been designing? Teaching? Do you have a job outside of JS.com?

In my former life I was a web & user interface designer for a software company, so I’ve been designing in some form or another for about 14 years. I started teaching digital scrapbooking, Photoshop, and graphic design in 2007 when I opened  JessicaSprague.com. Since then it is my full-time job, and I love it!

What three (or less) singular colors do you most identify with, why?

My favorite color is green – I love it in almost all of its shades from lime to olive. It’s the color of growth and regeneration, of calm energy, of prosperity, learning, balance, and harmony.

If you had to describe yourself [currently] as a five color palette, what colors would they be? Could you provide me with HEX codes so I can create a JS palette for you?

I feel like I am a blue, two greens, and a red, coupled with a dark grey. Hex: aed835, d9ea65, 81c9c0, a90c19, a90c19

The greens I’ve already described. The blue is an ocean representing responsibility, stability, trustworthiness. The red represents fire and emotion, and the dark grey brings some gravity, but also represents the dark that balances the lighter, fresher colors.

If you could be a shape, what shape would you be? (i.e. a polygon = triangle, hexagon etc…)

I would be a 5-pointed star.

How do you approach incorporating color combinations in poster design? Where do you start on this process?

As with any design process, I always start with a theme or a concept. What is it that we’re saying? What emotion do we want to evoke in the reader or viewer of this piece? Having a solid design concept, I move in to blocking shapes and choosing colors – usually designed to play on the overall theme.

Source: Jessica Bills

I love fonts. LOVE. I collect them, drool over them, dream about them, find excuses to buy new ones. I have a lot of fonts – probably 1700 – and I use a program called Font Expert to organize my fonts. I need to get even better at organizing, when there’s time! But right now I have them divided into categories. My categories include: 3d, Block, Calligraphic, Circus, Condensed, Cute, Decorative, Destroyed, Dingbats, Display, Distressed, Gothic, Handwritten, Modern, Monospaced, Ornaments, Outline, Quirky, Retro, Sans Serif, Script, Serif, Skinny, Stencil, Symbol, Typewriter, Wide, Worn.

How do you approach using fonts in poster design?

The typeface choices make a critical part of the design process – this typically comes as the style and theme of the poster is being fleshed out. I think the typography – especially in a poster where the message tends to be very brief and very LOUD, is especially important, and one of the hallmarks of a really good design vs. a less-effective one. Fonts say things in addition to the actual words they spell – they have personality and that personality needs to be respected and taken advantage of in a design.

Heavily using fonts seems quite trendy, where do you recommend a base knowledge or quick reference about font types and usage?

Mixing fonts is an art and a skill that takes time to develop – I recommend beginning to steep yourself in really good typography, such as the samples over at veer.com as a really good resource for getting a feel for the subtleties.

Source: Jessica Sprague The Art of Poster Design

How do you feel about using patterns in poster design? Something busy, but in the background? Or something simple like a chevron- those seem to be rather popular right now. What are some basic rules you follow when incorporating patterns into poster design?

I think patterns are great in limited ways in a poster – most posters rely on a one-or-two color press that doesn’t allow for much multi-color pattern; but this is changing as the price for laser printing in large-scale formats continues to come down.

How would you describe your style when creating posters? Do you like to use big fonts? Do you tend to use the same fonts over and over?

The style of a poster is always dictated by the message and the style called for – but in general I like big bold fonts, large graphics, brushwork, and great details.

Source: Janet Carr, a student from Jessica Sprague’s Subway Art class.

What do you think are the most common mistakes people make when designing a poster?

I think the most common mistake is that people are afraid to really fill the space in a poster – I see things centered with plenty of whitespace around the text, no color (even black on white can be a color if used well!), and just general blandness. A poster’s purpose is to deliver a message in 10 seconds or less – boldness is the name of the game.

Where are you most likely to find inspiration when you’re stuck in the mud?

I have Pinterest. I also have a few books, including The New Masters of Poster Design, which is excellent eye candy for all styles of posters.

How long is the filming process for the poster class from start to finish, including editing?

There will be about 12 hours of finished video for this class, which takes about three weeks to record and edit.

Since I’ve taken several of your classes, I know throughout the videos you give direction for both Photoshop and Elements users, do you prefer one program over the other?

Great question! In my own work I use Photoshop CS5, but I prefer teaching Photoshop Elements, because I love and adore the Project Bin! LOL.

Source: Sunday Grennan of itsmesunday.

The Giveaway: Two Lucky COLOURlovers Will Win!

As mentioned above, Jessica has generously offered two seats in the class, a value of $63.99 per class!The giveaway starts today, January 30th, 2012 and ends next Monday, February 6th, 2012.

To Enter:

Leave a comment telling us what your favorite font is and what theme you would use the font for when creating a poster or project.

The Art of Poster Design starts February 13th and ends March 11th. Jessica Sprague will be leading the class with step-by-step video instruction. This is considered an intermediate class. You cansign-up or get more detailed information here.

I’ve recently created a digital crafting group on COLOURlovers, feel free to join, and share your works of art, palettes, patterns, and chat with people who have the same interests!